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#A STAR IS BORN SOUNDTRACK DESCRIPTION MOVIE#
Cooper is surprisingly effective singing the sad songs the only points where you remember you’re watching a movie star play a musician are heavier tunes like “Black Eyes” and “Alibi,” where the actor strains too hard to play the part of rock star and comes out with a lot of gruff vocal tones and emotional boilerplate, but even those seem believable as old blues-rock hits that still pop for older crowds. “Too Far Gone” and the duet “Diggin’ My Grave” double down on the fixation with mortality. “Maybe it’s time to let the old ways die,” the Isbell song muses with foreboding clarity. Writing alongside gifted country troubadours like Jason Isbell and Lukas Nelson - son of Willie Nelson and leader of Promise of the Real, which currently serves as Neil Young’s backing band - Cooper produced a batch of songs haunted by time and memory.
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Failure and death are chilling undercurrents in nearly all of his songs. But Jackson’s dwindling music-industry cachet and his reactionary drinking quickly form a terrible feedback loop, and you can hear him crying out in his songs.Ĭooper’s musical performances in A Star Is Born dramatize the discouraging sensation of trying your best and losing.
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He’s great when he can keep his demons leashed. What’s tragic is that his songs are sturdy. His crumbling sense of what’s relevant in music is one of the forces driving the film toward its grisly final act. Jackson is supposed to seem like a dinosaur. At first, this made the soundtrack seem dizzyingly anachronistic. The ideal that he represents - the austere thinking, the hard drinking, the worship of the physicality of rock and roll - is in decline. I couldn’t see a world where he headlines Coachella and Glastonbury. I couldn’t place Jackson in time in my head. I also believe in the music of A Star Is Born, and I didn’t think I would at first pass, wincing at the grungy ramble of Bradley Cooper’s Jackson Maine, a grizzled but muscular composite of Kristofferson’s John Howard, tenured alt-rock stadium gods like Pearl Jam’s Eddie Vedder, and latter-day Gregg Allman, whose battle with addiction in the ’90s feels like the Ur-text for this version. I believe in the doting dad who’ll never let you forget the time Paul Anka paid a compliment to his singing. (I’ve seen it!) I believe in the kitchen clerk with the gobsmacking voice, the Yes tee, and the Carole King Tapestry LP hanging on her bedroom wall. drunk stumbling into a gay bar because it’s the only thing open serving alcohol and being paralyzed by great karaoke. It’s part One Crazy Night and part Greek tragedy, a little bit country, and a little bit EDM.
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Cooper and Lady Gaga’s Star works because it’s charming and realistic in its staging, acting, and music. As believable as Barbra Streisand and Kris Kristofferson are as a couple in the quiet moments of Frank Pierson’s 1976 iteration, barroom brawls and pistols fired at helicopters give certain sections the tone of a Charles Bronson film. As much of a joy as Judy Garland is in George Cukor’s 1954 adaptation, it never seems smart for her to pour so much time into James Mason’s bullish Norman Maine.
#A STAR IS BORN SOUNDTRACK DESCRIPTION PROFESSIONAL#
It treats its female lead like a hunk of iron ore, something that needs to be manipulated and refined by a professional to tease out its inner strength.īradley Cooper’s latest incarnation, the film’s fourth, is one of the best because it works hard to make you like the characters, to make you believe they like each other, and then to show you why you never should’ve trusted it with your feelings to begin with. The destruction of the male lead is mechanical in its effectiveness. The story of A Star Is Born abides because it is familiar. You make sacrifices to get to a better station in life. It’s poetic that A Star Is Born, the enduring tragedy of the Maines, a Hollywood power couple whose fame dynamic grows catastrophically unbalanced, has built its titular star time and again under a pall of collapse and decay. They begin as tiny reactions in the midst of clouds of dust and gas in space, condensing and bonding over hundreds of thousands of years until the collected heat and mass result in nuclear fusion. Real stars, the astrophysical ones, are born through a lengthy process of collapse.